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Code d'Examen: 9A0-057
Nom d'Examen: Adobe (Adobe Illustrator CS3 ACE Exam)
Questions et réponses: 130 Q&As

Code d'Examen: 9A0-068
Nom d'Examen: Adobe (After Effects CS3 ACE EXAM )
Questions et réponses: 95 Q&As

Code d'Examen: 9A0-056
Nom d'Examen: Adobe (Adobe Dreamweaver CS3 ACE Exam)
Questions et réponses: 142 Q&As

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NO.1 You want to link the Opacity property of one layer with the Rotation property of another layer. You also
want to create a relative relationship between them. What should you do?
A.Apply a linear expression to either the Opacity property or the Rotation property.
B.Use parenting to make the layer with the targeted Opacity property as the child of the layer with the
targeted Rotation property.
C.Use parenting to make the layer with the targeted Rotation property as the child of the layer with the
targeted Opacity property.
D.Apply an expression to either property and use the Expression pick whip to link them.
Answer:D

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NO.2 You create a string of text on a text layer. You want to animate one character such that it rotates
around its y-axis. What should you do?
A.In the Timeline panel, enable the 3D layer switch and then adjust the layer's Y Rotation value.
B.In the Timeline panel, enable the 3D layer switch and then apply a Rotation animator.
C.From the Animate menu in the text layer, select Enable Per-character 3D and then apply a Rotation
animator.
D.From the Animate menu in the text layer, apply a Rotation animator.
Answer:C

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NO.3 In the Graph Editor, you select the Auto-Select Graph Type option. In the Timeline panel, you select a
layer's position property. What will be displayed in the Graph Editor?
A.The Transform box.
B.The Reference graph.
C.The Value graph.
D.The Speed graph.
Answer:D

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NO.4 Click the Exhibit button You have three layers in a composition. You place them at different distances
from the camera. You want the farthest layer to look blurred, as shown in the Exhibit. What should you do
in the Camera Settings dialog box?
A.Set the Focal Length lower than zoom.
B.Set the Blur Level value to 100 percent.
C.Select Enable Depth of Field.
D.Choose 80mm camera from the Preset menu.
Answer:C

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NO.5 You add a Scale animator to a text layer and adjust the Range Selector. You want to animate another
property by using the same Range Selector. What should you do?
A.Select the Text property of the layer and add a new Animator from the Timeline panel.
B.Select the text layer and add a new Animator from the Timeline panel.
C.Select the Scale animator, go to the Animation menu, and then select a new property from the Animate
Text menu.
D.Select the Scale animator, go to the Add menu, and then select Range from the Add Text Selector
menu.
Answer:C

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NO.6 You create an animation of a car chasing another car around a circular track. However, the speed of
the animation changes abruptly on frames with a keyframe. What should you do?
A.Click the keyframe in the Composition panel with the Convert Vertex tool.
B.Change the keyframe interpolation in the Timeline panel to Continuous Bezier.
C.Select the keyframes in the Timeline panel and click Convert selected keyframes to Linear in the Graph
Editor.
D.Select the keyframes in the Timeline panel and click Convert selected keyframes to Hold in the Graph
Editor.
Answer:B

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NO.7 You have a composition with 3D layers and a camera. The camera is animated. You choose the 4
Views-Right option from the Select View Layout menu in the Composition panel. How are the four views
configured?
A.The four views represent the same predefined right view with different zooms.
B.The four views are automatically set to four predefined views (Right, Left, Front, and Top).
C.The 4 Views options represent four possible cameras in the composition. If the number of cameras is
less, some views are disabled.
D.All the four views contain specific 3D views and the view on the left is bigger than the others.
Answer:D

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NO.8 You import an image of grayscale clouds and add it to a composition. You want to use the highlights in
the image to reveal the content immediately beneath the image and the shadows in the image to conceal
the content beneath the image. What should you do?
A.On the layer immediately below the clouds layer, select Luma Inverted Matte from the Modes column of
the Timeline panel.
B.On the layer immediately below the clouds layer, select Luma Matte from the Modes column of the
Timeline panel.
C.On the clouds layer, select Luma Inverted Matte from the Modes column of the Timeline panel.
D.On the clouds layer, select Luma Matte from the Modes column of the Timeline panel.
Answer:B

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Code d'Examen: 9A0-068
Nom d'Examen: Adobe (After Effects CS3 ACE EXAM )
Questions et réponses: 95 Q&As

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NO.1 You apply a text animation preset to a text layer. What happens when you apply a second text
animation preset to the same layer?
A.The new preset replaces the behavior from the original preset.
B.The selectors from the original preset are preserved, and the animators from the new preset replace the
animators from the original preset.
C.The original preset is preserved, and new animators and selectors are added.
D.The animators from the original preset are preserved, and the selectors from the new preset replace
the selectors from the original preset.
Answer:C

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NO.2 You import an image of grayscale clouds and add it to a composition. You want to use the highlights in
the image to reveal the content immediately beneath the image and the shadows in the image to conceal
the content beneath the image. What should you do?
A.On the layer immediately below the clouds layer, select Luma Inverted Matte from the Modes column of
the Timeline panel.
B.On the layer immediately below the clouds layer, select Luma Matte from the Modes column of the
Timeline panel.
C.On the clouds layer, select Luma Inverted Matte from the Modes column of the Timeline panel.
D.On the clouds layer, select Luma Matte from the Modes column of the Timeline panel.
Answer:B

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NO.3 You have a composition with 3D layers and a camera. The camera is animated. You choose the 4
Views-Right option from the Select View Layout menu in the Composition panel. How are the four views
configured?
A.The four views represent the same predefined right view with different zooms.
B.The four views are automatically set to four predefined views (Right, Left, Front, and Top).
C.The 4 Views options represent four possible cameras in the composition. If the number of cameras is
less, some views are disabled.
D.All the four views contain specific 3D views and the view on the left is bigger than the others.
Answer:D

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NO.4 Click the Exhibit button You have three layers in a composition. You place them at different distances
from the camera. You want the farthest layer to look blurred, as shown in the Exhibit. What should you do
in the Camera Settings dialog box?
A.Set the Focal Length lower than zoom.
B.Set the Blur Level value to 100 percent.
C.Select Enable Depth of Field.
D.Choose 80mm camera from the Preset menu.
Answer:C

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NO.5 You want to link the Opacity property of one layer with the Rotation property of another layer. You also
want to create a relative relationship between them. What should you do?
A.Apply a linear expression to either the Opacity property or the Rotation property.
B.Use parenting to make the layer with the targeted Opacity property as the child of the layer with the
targeted Rotation property.
C.Use parenting to make the layer with the targeted Rotation property as the child of the layer with the
targeted Opacity property.
D.Apply an expression to either property and use the Expression pick whip to link them.
Answer:D

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NO.6 You create a block of paragraph text in the Composition panel. The text lines are too close together.
Which text property should you adjust to decrease the vertical space between the text lines?
A.Vertical scale
B.Tracking
C.Leading
D.Kerning
Answer:C

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NO.7 You render multiple items in a day. You want to add specific information, such as the compressor name
and frame size, to the name of each rendered file. You also want to use this set of parameters in the future.
What should you do?
A.Select the render items and choose Edit> Duplicate with File Name.
B.Choose the Custom value from the Output To menu to create and save a default name in the File Name
Templates dialog box.
C.Select all the render items and click the underlined filename next to Output To to enter a new filename.
D.Choose Preferences >Output and select the Use Default File Name and Folder option.
Answer:B

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NO.8 You want to convert PAL footage to the NTSC standard to use in future projects and compositions. What
should you do?
A.Choose Lower Field First for Field Rendering and WSSWW for the 3:2 pull-down menu.
B.Drag the footage from the Project panel to the Render Queue and choose Microsoft DV NTSC for
Output Module.
C.Change the frame rate of the footage to 29.97 fps.
D.Select the footage in the Timeline panel and choose the Frame Blending Option.
Answer:A

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NO.9 A layer contains a video showing people at a train station, moving from left to right in front of a fixed
camera. You have time remapped the layer to obtain a slow motion effect. Therefore, the layer repeats
many frames. You want to blur and fade together the current repeating frames. Moreover, you do NOT
want to create new frames. What should you do in the Timeline panel?
A.Enable the Best Quality switch.
B.Enable the Motion Blur switch.
C.Enable the Frame Mix Blending mode.
D.Enable the Pixel Motion Blending mode.
Answer:C

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NO.10 Your composition contains video and animated text. You want to export the composition in a format
suitable for playing in mobile devices. You also want to preview the result in Adobe Device Central. What
should you do?
A.Choose File> Export to export in MPG-4 format.
B.Choose File> Export to export in Adobe Flash Video (FLV) format.
C.Add the composition to the render queue and choose the H.264 format in the Output Module Settings
dialog box.
D.Add the composition to the render queue and choose the QuickTime Movie format in the Output Module
Settings dialog box.
Answer:C

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NO.11 You want to render a movie file from a composition. The composition is of a motion picture sequence
and involves heavy effects. You want to render the composition by using a network of render engines.
What should you do in the Render Queue panel?
A.Set the Output Module to render an AVI uncompressed movie file.
B.On the Render Settings menu, select Use Open GL Renderer.
C.On the Render Settings menu, set the Proxy Use option to Use No Proxies.
D.Set the Output Module to render a still-image sequence and add a post render action to create a single
movie file.
Answer:D

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NO.12 In a composition, you have a layer showing a man holding a rectangular signboard in his hands. The
man is continuously moving, shaking, and turning the sign. You want to track the movement of the sign to
substitute it with a graphic in another layer. What should you do?
A.Track the sign using the Parallel Corner Pin Track Type.
B.Track the sign using the Perspective Corner Pin Track Type.
C.Stabilize the position and rotation of the sign, and then track its position.
D.Track the position of a corner of the sign, and apply the tracked data to the Anchor Point of the graphic.
Answer:B

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NO.13 In the Graph Editor, you select the Auto-Select Graph Type option. In the Timeline panel, you select a
layer's position property. What will be displayed in the Graph Editor?
A.The Transform box.
B.The Reference graph.
C.The Value graph.
D.The Speed graph.
Answer:D

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NO.14 You animate the first two keyframes of a swaying pendulum. You want to duplicate these keyframes.
What should you do?
A.Select both keyframes and hold the CTRL(Windows) or COMMAND(Mac) key while dragging.
B.Select both keyframes and hold the ALT(Windows) or OPTION(Mac) key while dragging.
C.Select the layer and copy and paste by moving the CTI to the location where you want to paste it.
D.Select the first two keyframes, move the CTI to where you want the first selected keyframe to be pasted,
and then copy and paste the keyframe.
Answer:D

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NO.15 You create an animation of a car chasing another car around a circular track. However, the speed of
the animation changes abruptly on frames with a keyframe. What should you do?
A.Click the keyframe in the Composition panel with the Convert Vertex tool.
B.Change the keyframe interpolation in the Timeline panel to Continuous Bezier.
C.Select the keyframes in the Timeline panel and click Convert selected keyframes to Linear in the Graph
Editor.
D.Select the keyframes in the Timeline panel and click Convert selected keyframes to Hold in the Graph
Editor.
Answer:B

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NO.16 You create a string of text on a text layer. You want to animate one character such that it rotates
around its y-axis. What should you do?
A.In the Timeline panel, enable the 3D layer switch and then adjust the layer's Y Rotation value.
B.In the Timeline panel, enable the 3D layer switch and then apply a Rotation animator.
C.From the Animate menu in the text layer, select Enable Per-character 3D and then apply a Rotation
animator.
D.From the Animate menu in the text layer, apply a Rotation animator.
Answer:C

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NO.17 What is the file extension of an animation preset?
A..aefx
B..afx
C..ffx
D..aex
Answer:C

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NO.18 You have an image sequence in a layer. Every image in the sequence has duration of five frames. You
want a smooth transition between the images. Frame blending is checked in the Timeline. How can you
quickly obtain and preview Frame Blending mode for those images?
A.Choose the Time Stretch option for the current layer.
B.Choose Time Remapping to alter the speed of the sequence.
C.Apply the Timewarp effect, and choose the Pixel Motion Method.
D.Choose the Frame Mix mode from the Frame Blending option.
Answer:D

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NO.19 You are working on a shot in a layer, showing a car approaching a fixed camera. The car is coming
straight toward the camera. At the end of the shot, the car stops, filling the screen with the front profile of
the car and showing the car logo in the center of the frame. You want to substitute the circular logo on the
front of the car with a graphic on another layer. What should you do?
A.Set Parallel Corner Pin track points at the beginning of the shot, and click Analyze Forward.
B.Set Perspective Corner Pin track points at the beginning of the shot, and click Analyze Forward.
C.Set Position and Scale track points for the logo at the end of the shot, and click Analyze Backward.
D.Set Rotation and Scale track points for the logo at the end of the shot, and click Analyze Backward.
Answer:C

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NO.20 You add a Scale animator to a text layer and adjust the Range Selector. You want to animate another
property by using the same Range Selector. What should you do?
A.Select the Text property of the layer and add a new Animator from the Timeline panel.
B.Select the text layer and add a new Animator from the Timeline panel.
C.Select the Scale animator, go to the Animation menu, and then select a new property from the Animate
Text menu.
D.Select the Scale animator, go to the Add menu, and then select Range from the Add Text Selector
menu.
Answer:C

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Code d'Examen: 9A0-081
Nom d'Examen: Adobe (Adobe LiveCycle ES Application Developer Exam)
Questions et réponses: 70 Q&As

Code d'Examen: 9A0-068
Nom d'Examen: Adobe (After Effects CS3 ACE EXAM )
Questions et réponses: 95 Q&As

Code d'Examen: 9A0-088
Nom d'Examen: Adobe (Adobe IIIustrator CS4 Exam)
Questions et réponses: 106 Q&As

Code d'Examen: 9A0-096
Nom d'Examen: Adobe (Adobe AfterEffects CS4 Exam)
Questions et réponses: 143 Q&As

Code d'Examen: 9A0-090
Nom d'Examen: Adobe (Adobe Dreamweaver CS4 ACE Exam)
Questions et réponses: 85 Q&As

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NO.1 You wish to animate a path to create a write-on effect.
Which path operator should you choose from the Add pulldown menu next to the shape layer in the
timeline?
A. Twist
B. Trim Paths
C. Offset Paths
D. Merge Paths
Answer: B

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NO.2 You have a composition containing two layers. The bottom layer in the Timeline panel contains a map.
The top layer in the Timeline panel is comprised of a Shape Layer with a stroked pen path. You wish to
wipe on the stroked pen path with a Shape Layer path operator to follow a road on the bottom layer.
What lets you simulate an animated line on the Shape Layer?
A. Zig Zag
B. Repeater
C. Trim Paths
D. Offset Paths
E. Wiggle Paths
Answer: C

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NO.3 When previewing an After Effects composition that contains several nested compositions, a Timeline
panel different from the current Composition panel plays.
What is causing this scenario?
A. The Timeline panel is locked.
B. The Composition panel is locked.
C. The Maximize Frame command has been enabled for the Timeline panel.
D. The Maximize Frame command has been enabled for the Composition panel.
E. You have selected a nested composition in the Timeline panel with the mouse before previewing.
Answer: B

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NO.4 You wish to create a text animation that will have the letters change color while letting the words
animate position, rotation, and scale.
Which option in the Timeline panel will let you create the text animation?
A. Advanced > Based On
B. Add > Selector > Range
C. Add > Selector > Wiggly
D. Add > Property > Character Offset
E. Add > Property > Per Character 3D
F. Add > Property > All Transform Properties
Answer: B

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NO.5 What should you do if you wish to apply an animated dashed Stroke effect to a Text Layer?
A. select the Text Layer and go to Layer > Effect > Stroke
B. go to Layer > Create Masks from Text, then select the resulting Shape Layer and go to Effect >
Generate > Stroke
C. go to Layer > Create Shapes from Text, then select the resulting Shape Layer and go to Effect >
Generate > Stroke
D. use the Character panel to define and apply the Stroke settings on the Text Layer, then animate the
Stroke properties in the timeline
Answer: B

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NO.6 When working in an After Effects Composition panel, you need to lock the current composition viewer,
split the current frame, and create a new composition viewer in the frame.
Which action performs this function in the Composition panel?
A. choose Maximize Frame from the Composition panel menu
B. press Ctrl+Alt+Shift+N (Windows) or Command+Option+Shift+N (Mac OS) on the keyboard
C. lock the Composition panel and choose Maximize Frame from the Composition panel menu
D. Ctrl (Windows) or Command (Mac OS) drag the gripper area in the upper-left corner of the
Composition panel into the center of the work area
E. Ctrl (Windows) or Command (Mac OS) drag the group gripper in the upper-right corner of the
Composition panel into the center of the work area
Answer: B

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NO.7 You have opened a project and identified that the same footage appears multiple times in the Project
panel, and you wish to remove all duplicate footage items from the project.
What should you do?
A. choose File > Collect Files
B. choose File > Reduce Project
C. choose File > Consolidate All Footage
D. choose File > Remove Unused Footage
Answer: C

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NO.8 A composition contains a Shape Layer containing four separate parametric shapes, each with different
fill and stroke attributes. You have grouped the four parametric shapes into one master group.
Which statement is true about the fill and stroke attributes the four parametric shapes will have in the
master group?
A. The parametric shapes will retain their original fill and stroke attributes.
B. Attributes of the top parametric shape in the Timeline panel will be applied.
C. Attributes of the bottom parametric shape in the Timeline panel will be applied.
D. Current attributes of the Fill and Stroke options in the Tool panel will be applied.
Answer: A

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NO.9 You have formatted several letters on a Text Layer with the Character panel using the Fill Over Stroke
feature for some letters and the Stroke Over Fill feature for other letters.
Which setting in the Timeline panel preserves those features on the Type Layer when the All Fills Over All
Strokes option is selected from the Character panel?
A. Animate > Character Value
B. Fill & Stroke > Per Character panel
C. Inter-Character Blending > Overlay
D. Anchor Point Grouping > Character
E. Fill & Stroke > All Strokes Over All Fills
Answer: B

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NO.10 Click the Exhibit button.
What should you do in order to create a different wiggle motion for each one of the star shape duplicates
of a single Shape Layer, that already has the Repeater operator applied?
A. add a Wiggle Paths operator before the Repeater operator, then open the Wiggle Paths settings and
adjust the Size value
B. add a Wiggle Paths operator after the Repeater operator, then open the Wiggle Paths settings and
adjust the Wiggles/Second value
C. add a Wiggle Transform operator after the Repeater operator, then open the Wiggle Transform settings
and adjust the Transform values
D. add a Wiggle Transform operator before the Repeater operator, then open the Wiggle Transform
settings and adjust the Transform values
Answer: C

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NO.11 Which two statements are true about the creation of a new Shape Layer? (Choose two.)
A. Fill and Stroke will default to transparent until you modify them.
B. Fill and Stroke properties are set to the last fill and stroke used.
C. Fill will always default to solid red, and Stroke to 3 pixel white solid line.
D. Fill will always default to transparent, and Stroke to 3 pixel white solid line.
E. Fill and Stroke properties are set according to the swatch buttons in the Tools panel.
Answer: BE

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NO.12 Which statement is true about typing the string Anchor in the Quick Search option of the Timeline
panel when no layers are selected?
A. No Anchor Point properties will be revealed.
B. All Anchor Point properties for all layers will be revealed.
C. Only keyframed Anchor Point properties will be revealed.
D. Anchor Point properties for hidden layers will not be revealed.
Answer: B

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NO.13 How can you find out the number vertices of a mask?
A. select the mask in the timeline and look in the Info panel
B. select the mask in the timeline, open the Mask properties and look under Mask Path
C. select the mask in the Composition panel, right-click on it, select Mask and select Vertices at the
bottom of the menu
D. select the mask in the Composition panel, go to Layer > Mask > Mask Shape to bring up the Mask
Shape dialog box containing the vertices information
Answer: A

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NO.14 Which action lets you motion sketch an animation with the Puppet Pin tool?
A. drag a Deform pin with the Puppet Pin tool
B. place Deform pins at different points in time in the Composition panel
C. place Puppet Overlap pins at different points in time in the Composition panel
D. drag a Deform pin with the Control key (Windows) or Command key (Mac OS)
E. drag a Puppet Overlap pin with the Control key (Windows) or Command key (Mac OS)
Answer: D

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NO.15 When applying the Wiggle Paths path operator to a shape group on a Shape Layer, which option
controls how far a path is bent?
A. Size
B. Detail
C. Points
D. Correlation
E. Spatial Phase
Answer: A

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NO.16 In the Paint panel, what does the Flow attribute affect?
A. the maximum amount of paint applied
B. how quickly paint is applied or removed
C. the ratio between the short and long axes of a brush
D. how pixels in the underlying image are blended with the pixels painted
Answer: B

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NO.17 You have applied Motion Blur to an animating mask shape.
Which option lets you control the amount of blurring to the mask as it animates?
A. Mask Feather
B. Mask Expansion
C. Layer > Masks > Motion Blur
D. Composition Settings > Advanced > Shutter Angle
E. Composition Settings > Advanced > Shutter Phase
Answer: D

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NO.18 When pasting a mask path from an After Effects layer into the Position property for an object in the
Timeline panel, the size of the resulting motion path needs to be a different size than the original mask
path.
Which action lets you resize the motion path?
A. apply the Free Transform Points command to the position keyframes
B. convert the roving keyframes created when pasting the path to the Position property into Bezier
keyframes
C. resize the mask path in a solid layer the size of the composition before pasting the path into the
Position property
D. set the Display > Motion Path section of After Effects Preferences to show all keyframes before pasting
the path into the Position property
Answer: C

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NO.19 Click the Exhibit button.
You are working in a composition that has the two layers shown in the exhibit. Layer 1 has a mask applied
to it. You wish to animate the position of Layer 2 using the mask path coordinates from Layer 1.
What is the most efficient process?
A. select Layer 2, then use the Parent drop-down menu option next to the layer in the timeline to set its
parent layer to Layer 1
B. select Layer 1, open the Mask attributes in the timeline, select the Mask Path and go to Edit > Copy,
then select Layer 2 and go to Edit > Paste
C. select Layer 1, open the Mask attributes in the timeline, select the Mask Path and go to Edit > Copy,
then select Layer 2, open the Transform attributes, select the Position property, and go to Edit > Paste
D. open the Mask attributes for Layer 1 in the timeline, select Layer 2, open its Transform attributes, and
set an expression for the Position by pressing Option/ALT and clicking the stopwatch, then drag the pick
whip icon onto the Mask Path of Layer 1
Answer: C

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NO.20 What should you do to apply permanent motion blur to a mask?
A. select the mask, then choose Layer > Mask > Motion Blur > On
B. select the mask, then choose Layer > Mask > Motion Blur > Same As Layer
C. select the mask, then click the Motion Blur switch for the layer in the timeline
D. select the mask, then click the Composition Motion Blur switch in the timeline
Answer: A

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NO.21 You would like to animate the Fill and Stroke properties for a Text Layer in a composition.
Which option in the Timeline panel lets you keyframe the Fill and Stroke properties for a Text Layer?
A. Transform
B. Source Text
C. Path Options
D. Inter-Character Blending
Answer: B

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NO.22 Which tool lets you change the point from which transformations happen to a layer in the Composition
panel, without changing the layer's appearance or position?
A. Selection tool
B. Puppet Pin tool
C. Pan Behind tool
D. Convert Vertex tool
E. Unified Camera tool
Answer: C

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NO.23 You have applied the Bevel and Emboss layer style to several text layers in an After Effects
composition and have enabled the Use Global Light option.
Which two options in the Bevel and Emboss layer style will be overridden by enabling the Use Global
Light option? (Choose two.)
A. Size
B. Angle
C. Depth
D. Altitude
E. Direction
F. Technique
G. Shadow Mode
H. Highlight Mode
Answer: BD

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NO.24 Which string do you need to type in the project's Quick Search field, to show footage items that are left
outside of the current project?
A. unused
B. missing
C. notshown
D. notpresent
Answer: A

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NO.25 How do you undo a change and all changes after it?
A. choose File > Revert
B. choose Edit > Undo [action]
C. choose Edit > History, and select the last change that you wish to undo
D. choose Edit > History, and select the first change that you wish to undo
Answer: D

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NO.26 How can you recognize the vertex designated as the first vertex of a path?
A. It appears as corner point in the Composition viewer.
B. It appears as the top-most vertex in the Composition panel.
C. It appears slightly larger than the other vertices in the Composition panel.
D. It appears as vertex #1 in the Info panel when that mask vertex is selected in the Composition viewer.
Answer: C

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NO.27 Click the Exhibit button.
You create a Shape Layer, add a new path and draw an open-ended line with the Pen tool. You add a
stroke, set its width to 40 pixels, and set its Line Cap option to Projecting Cap.
What is the resulting effect to the ends of the stroke?
A. The stroke ends fade out to 0% opacity over 20 pixels on each end.
B. The stroke ends are rounded off with a 40 pixel diameter semicircle on each end.
C. The stroke ends are squared off at the exact points defining the start and finish of the path.
D. The stroke ends are squared off with an additional 20 pixels beyond the points defining the start and
finish of the path.
Answer: D

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NO.28 You have created a Text Layer in a composition and have animated the Opacity property to create a
write on effect where the letters pop on without any transition in opacity. When previewing the composition,
you find that the text characters in the animation are gradually fading up instead of popping on.
Which options in the Timeline panel will you apply to remove the gradual fading up of the text characters
and have them pop on without a transition in opacity?
A. Shape > Square > Smoothness = 0
B. Shape > Ramp Up > Smoothness = 0
C. Shape > Square > Smoothness = 100
D. Shape > Ramp Up > Smoothness = 100
E. Shape > Ramp Down > Smoothness = 0
F. Shape > Ramp Down > Smoothness = 100
Answer: A

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NO.29 You are interpolating between two keyframed mask shape paths by using the Smart Mask Interpolation
panel.
Which option in the Smart Mask Interpolation panel lets you control how Smart Mask Interpolation
matches vertices one keyframe to another keyframe?
A. Quality
B. Matching Method
C. First Vertices Match
D. Bending Resistance
E. Add Mask Shape Vertices
Answer: A

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NO.30 What is the purpose of the Random Seed option under the Advanced section of a type Range
Selector's properties?
A. to determine the speed of change between the Ease High and Ease Low values of the Range Selector
B. to randomize the order in which the animated property is applied to the characters specified by the
Range Selector
C. to calculate the order in which specific characters within that Range Selector are affected by the text
animator you apply
D. to determine the amount of time the animation takes to transition from one character to another, when
using the Square shape setting
Answer: C

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